Travels, Life In Albany, 2012

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Click on any of the little pictures to see it at normal size. Click on the '=0=' after the picture to see it in giant size (about 2 minutes to download on dialup connection and larger than screen size). This could be useful if you wanted to really look at one part of the picture or to make a print.

Ajanta Caves, India. =0= Ajanta Caves, India. =0=
The detail of each painting was most amazing, though hard to see in the limited light (and harder still to see in the resulting pictures). Our guide was most knowledgable and explained the meaning of each painting, calling our attention to the expressions and how accurately the painters had portrayed the feelings. We then moved on to cave 12, one of the largest and most beautiful of the caves at Ajanta. Ajanta Caves, India. =0=
Ajanta Caves, India. =0= Ajanta Caves, India. =0=
Lamala and another cave visitor. =0= Ajanta Caves, India. =0=
Many of the visitors at the caves wanted to have their picture taken with Lamala and we also took pictures. In some places the plaster and painting had fallen away but often it was replaced with cement in the hope of preserving the rest. Ajanta Caves, India. =0=
Ajanta Caves, India. =0= Ajanta Caves, India. =0=
Ajanta Caves, India. =0= Lamala and Wang Ga. =0=
Above is a picture of Lamala with his brother, Wang Ga. The pictures below are from a most impressive mahayana shrine where we also meditated and said mantras, then circumambulating the stupa. In these later caves the artists would carve details which emulated the constuction of a shrine using other materials such as wood, showing the 'joints' and such. Truly impressive. Ajanta Caves, India. =0=
Ajanta Caves, India. =0= Ajanta Caves, India. =0=
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This page was last updated on March 25, 2012.